The daughter could not see far in front of her and continued to play with her fingers. Although the old woman lived in this desolate spot with only her daughter and she had never seen Mr. Shiftlet before, she could tell, even from a distance, that he was a tramp and no one to be afraid of. His left coat sleeve was folded up to show there was only half an arm in it and his gaunt figure listed slightly to the side as if the breeze were pushing him. He had on a black town suit and a brown felt hat that was turned up in the front and down in the back and he carried a tin tool box by a handle. He came on, at an amble, up her road, his face turned toward the sun which appeared to be balancing itself on the peak of a small mountain.

What technique does O’Connor use in the paragraph to create compelling characters?
detailed descriptions
vivid dialogue
multiple settings
believable motivations

Detailed descriptions, vivid dialogue, and believable motivations technique does O’Connor use in the paragraph to create compelling characters.

A paragraph is a collection of related sentences that focus on a single topic. It typically consists of at least three sentences, but can be much longer. The topic sentence of a paragraph states the main idea, and the other sentences provide supporting details. A good paragraph should be unified, coherent, and complete, expressing one main idea. It should also be clear and concise, conveying the information in a straightforward way. Paragraphs should also be well-organized, with related ideas grouped together and linked via transitions. Lastly, a good paragraph should be free of errors in grammar and punctuation. In short, a paragraph is a succinct and well-structured collection of sentences that conveys a single message.

Therefore, 1, 2, 4 is correct.

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